Document and Location

Investigating place and its interpretation

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  1. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  2. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  3. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  4. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  5. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  6. Huma Mulji. Your Tongue in My Mouth (still), 2022

    Huma Mulji. Your Tongue in My Mouth (still), 2022

  7. Huma Mulji. Your Tongue in My Mouth (still), 2022

    Huma Mulji. Your Tongue in My Mouth (still), 2022

  8. Huma Mulji. Your Tongue in My Mouth (still), 2022

    Huma Mulji. Your Tongue in My Mouth (still), 2022

  9. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  10. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  11. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  12. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  13. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  14. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  15. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  16. Huma Mulji. Your Tongue in My Mouth (still), 2022

    Huma Mulji. Your Tongue in My Mouth (still), 2022

  17. Huma Mulji. Your Tongue in My Mouth (still), 2022

    Huma Mulji. Your Tongue in My Mouth (still), 2022

  18. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  19. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

  20. Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

    Huma Mulji. Your Tongue in My Mouth, 2022. Image: Dom Moore and MIRROR

Huma Mulji | Your Tongue in My Mouth

Your Tongue in My Mouth was a solo exhibition by Huma Mulji at Mirror Gallery, Plymouth. Immediately after independence in August 1947, the government of Pakistan began the long process that would, over the next few decades, modify street names, discard memorials, reshape cultural markers, revise school textbooks, weekends, architecture, law and language. To heal the deep wounds of partition, and in a hurry to distance itself from anything unIslamic, centuries of syncretic cultural and religious rituals were slowly stripped away, eroded and transformed in collective memory.

Growing up in Karachi, Mulji navigated her way between the disembodied heads and limbs of discarded statues, in the back corridors of Mohatta Palace, then the abandoned home of Fatima Jinnah. In an article in The Herald magazine from 1994, she came across a vivid description of a pedestal outside the Karachi Municipal Corporation Headquarters. This year, the artist journeyed back to Karachi to find this plinth. In the process, stumbling upon other fragments of the memorial. The body of resulting work presented at MIRROR Gallery centred on collective memory, time, place and belonging; complicating accepted historical linearity, placing two worlds in parallel entanglement, taking the viewer to glimpse geographies other than their own and to re-read illegible stories.